Eugénie is a French dramatic soprano.
She has won several prestigious competitions, including Operalia (2nd Prize, Zarzuela Prize, and Birgit Nilsson Prize), Neue Stimmen (2nd Prize), and the Tenor Viñas Competition (2nd Prize, Zarzuela Prize, and three additional prizes in the form of contracts).
She was a member of the Opera Studio at the Opéra National du Rhin, where she performed in Rusalka (Third Nymph), L’Heure espagnole (Concepción), Hänsel und Gretel (Gertrude), Death in Venice (the German Mother / the Danish Lady / the Newspaper Seller), and Madama Butterfly (Kate Pinkerton).
In 2022, she was named “Revelation” at the Victoires de la Musique Classique.
She made her debut at the Grand Théâtre de Genève as Karolka in Jenůfa.
She has also performed at Musiques en fête at the Théâtre Antique d’Orange, and collaborated with the renowned pianist David Fray at his festival L’Offrande Musicale.
In the 2022/23 season, she returned to the Opéra National du Rhin as the Second Lady in The Magic Flute.
She sang Verdi’s Requiem at the Opéra Comédie de Montpellier and Mozart’s Requiem at the Opéra de Toulon.
She also made her debut as Carmen at the Tounô Festival in Switzerland.
In the 2023/24 season, she opened with Beethoven’s Ninth Symphony at the Theater Bonn in Germany.
She then made her debut as Adalgisa in Norma under the baton of the legendary Maestro Riccardo Muti in Milan.
She returned to the Opéra National du Rhin as La Bonté in Magnard’s Guercœur.
In 2024/25, she performed Suzuki in Madama Butterfly at the Opéra de Marseille and Mère Marie in Dialogues des Carmélites at the Opéra de Rouen.
She also reprised Adalgisa in Norma and Mary in Der fliegende Holländer at the Opéra du Capitole in Toulouse.
She made her debut at the Opéra de Paris (Palais Garnier) as La Princesse de Grenade in Les Brigands.
In the 2025/26 season, she will perform Mère Marie in Dialogues des Carmélites at both the Opéra de Lausanne in Switzerland and the Opéra de Marseille, and will continue with a staged version of Verdi’s Requiem.